Josef Fares' Split Fiction, a cooperative adventure game from the creator of It Takes Two, has sparked debate. The game features two female protagonists, a narrative choice that has drawn both praise and criticism. Some critics have labeled the game "feminist propaganda," igniting online discussions.
Fares, known for his outspoken nature, directly addressed these accusations with characteristic humor and directness. He pointed out the varied protagonist pairings in his previous games (Brothers: A Tale of Two Sons, A Way Out, and It Takes Two), highlighting that character quality, not gender, is his priority. His statement: "Let me tell you something: in Brother, there were two guys, in A Way Out—two guys, in It Takes Two—one man, one woman, and now two women, and suddenly ‘everyone’s upset.’ […] I don’t care what you’ve got between your legs—good characters are what matter," encapsulates his perspective.
Split Fiction's central narrative follows the two women on a deeply personal and emotional journey. While many appreciate its innovative gameplay and heartfelt story, others object to the choice of protagonists, viewing it as a forced feminist agenda. These critics argue the decision is unnecessary or overly political. However, this backlash is countered by those who champion increased representation in gaming.
The controversy surrounding Split Fiction reflects broader societal conversations about diversity and representation in media. For some, the game's female leads signify progress toward more inclusive storytelling; for others, it represents a focal point for existing cultural tensions. Split Fiction, by pushing boundaries and offering a new perspective, inevitably becomes a platform for these discussions. Despite the criticism, the game's largely positive reception suggests its narrative resonates deeply with a significant audience.
